Kori Newkirk
Kori Newkirk
Fith
Dimensions variable, 2020
Mylar, metal, vinyl, acrylic and resin
Artist Statement
An Interruption.
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Kori Newkirk
Fith
Dimensions variable, 2020
Mylar, metal, vinyl, acrylic and resin
Biography
Kori Newkirk is a multi-disciplinary artist whose work spans a variety of different mediums, he lives and works in Los Angeles.
Jason Meadows
Jason Meadows
Slacker (1&2), 2020
Steel, wood , plastic, hardware, LED lights, paint

Jason Meadows
Slacker (1&2), 2020
Steel, wood , plastic, hardware, LED lights, paint
Thomas Linder
Thomas Linder/Timo Fahler
Wild Horses, 2020
Tall, dark and handsome
Mixed media
IG @team_oh

Thomas Linder/Timo Fahler
Wild Horses, 2020
Tall, dark and handsome
Mixed media
Biography
Timo Fahler and Thomas Linder met at the Kansas City Art Institute in 2005 as undergrads. They both found themselves in LA years later on their own accord. They started BBQLA, an artist run program active 2015-2019, together. They live and work as neighbors in the building which you will find their collaboration for Drive-by-Art riding atop as if the studio itself were a bull of which to hold on to and ride out as long as possible.
Kang Seung Lee
Kang Seung Lee
Untitled (la revolución es la solución!), 2017
Neon, acrylic, take-away posters (offset print)
Neon 22 x 66 inches; Posters 24 x 36 inches
Artist Statement
I am exhibiting two works (a neon work and take-away posters) from the project Untitled (la revolución es la solución!) (2017). Untitled (la revolución es la solución!) co-opt the work of photojournalists taken during the LA uprising in 1992 whose images continue to implicate the subjectivities of human bodies through graphic depictions of violence, perpetuating the stereotypes of racialized figures. Commonly understood as a white-black conflict, the uprising was also a boiling point for tensions in the Latino and Asian communities. As the first multi-ethnic race conflict in the United States marked by a cataclysm of growing discontent between the residents of disadvantaged, working class neighborhoods and the immigrant, merchant class, Koreatown was particularly volatile as business owners self-organized into a militia in response to police apathy. My removal of the bodies in the posters is aimed to challenge the popular representation and invite a movement towards the radical emancipation of otherness. The neon was traced from graffiti made during the uprising.
The project was originally commissioned by Artpace San Antonio in commemoration of the 25th anniversary of the uprising.

Kang Seung Lee
Untitled (la revolución es la solución!), 2017
Neon, acrylic, take-away posters (offset print)
Neon 22 x 66 inches

Kang Seung Lee
Untitled (la revolución es la solución!), 2017
Neon, acrylic, take-away posters (offset print)
Posters 24 x 36 inches
Biography
Kang Seung Lee is a multidisciplinary artist who was born in South Korea and now lives and works in Los Angeles. Lee is the recipient of the CCF Fellowship for Visual Artists (2019), the Rema Hort Mann Foundation grant (2018), and Artpace San Antonio International Artist-in-Residence program (2017). In 2020 Lee’s new projects will be exhibited at MMCA Seoul, Daelim Museum, Leslie-Lohman Museum, 18th Street Art Center and the 13th Gwangju Biennale. He received an MFA from the California Institute of the Arts.
Dan Kwong
Dan Kwong
Solar System Distancing, 2020
Rubber balls, inflatable beach balls, acrylic paint, steel rebar
10 feet high, various size planets from 6 inches to 16 inches
Artist Statement
Given the attention being paid to spatial relationships between bodies (and our fixation on 6-foot spacing), this piece is a reflection on the relativity of distance: What is “far”? What is “near”? What is “close”? What is “distant”? SOLAR SYSTEM DISTANCING seeks to take us beyond our earthly trials and tribulations and remind us of our connection to the cosmos.
Starting at a 36′ diameter Sun painted on the 18th Street Arts Center parking lot, nine hand-painted three-dimensional models of the planets will be displayed at appropriate distances away from 18th Street, relative to their actual distances from the Sun.
Public will begin by driving into the parking lot, doing a lap around the Sun, and then be launched on their mission to visit all the planets – Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and even poor rejected Pluto.
Heading westward on Olympic Blvd., the journey will then extend north on Pacific Coast Highway. Public will be guided by Google map coordinates (I may hand out a printed legend as well), spanning approx. 28 miles — from the Sun at 18th Street, to distant Pluto at Leo Carrillo Beach!
Embark on a fun scavenger hunt-style drive, feel the immensity of our solar system, and meanwhile enjoy a trip up the beautiful Southern California coastline!
And after all that, “six feet” may not seem very far away at all.

Dan Kwong
Solar System Distancing, 2020
Rubber balls, inflatable beach balls, acrylic paint, steel rebar
10 feet high, various size planets from 6 inches to 16 inches

Dan Kwong
Solar System Distancing, 2020
Rubber balls, inflatable beach balls, acrylic paint, steel rebar
10 feet high, various size planets from 6 inches to 16 inches

Dan Kwong
Solar System Distancing, 2020
Rubber balls, inflatable beach balls, acrylic paint, steel rebar
10 feet high, various size planets from 6 inches to 16 inches

Dan Kwong
Solar System Distancing, 2020
Rubber balls, inflatable beach balls, acrylic paint, steel rebar
10 feet high, various size planets from 6 inches to 16 inches

Dan Kwong
Solar System Distancing, 2020
Rubber balls, inflatable beach balls, acrylic paint, steel rebar
10 feet high, various size planets from 6 inches to 16 inches
Biography
Dan Kwong is an award-winning multimedia performance artist, director, writer and visual artist who has been presenting his work nationally and internationally since 1989. His theatrical work often features handmade props and set pieces that manipulate size and scale for dramatic effects.
Touring extensively, Kwong has performed at venues all across the U.S. and in Asia. He is recipient of numerous fellowships and awards for his work.
He is writing a stageplay, MASAO AND THE BRONZE NIGHTINGALE, a story of inter-racial romance set in post-WWII Little Tokyo. COVID willing, production is scheduled for April 2021 at Casa 0101 Theater in Boyle Heights.
He is developing a personal storytelling-based theater project based on interviews with residents of the Pico neighborhood around 18th Street Arts Center. WE WERE ALL HERE is slated for possible production in late-2020/early 2021.
Kwong serves as Associate Artistic Director for Great Leap, a multicultural performing arts organization based in L.A. www.greatleap.org.
He is a graduate of the School of the Art Institute of Chicago and Mentor Resident Artist at 18th Street Arts Center in Santa Monica.
Michael Kelly (day + night)
Michael Kelly (day + night)
Extending A Saints Understanding, 2019
Mixed media with stained glass
48 x 36 x6 inches
IG @dallapozza
Artist Statement
I play in traditional and new art mediums to reveal and synthesize my own impression of an invisible extra-dimensional world around us that I can’t see with my own natural eyes. Like the John Carpenter film They Live, but you know, colorful abstracted ideas, not an evil alien invasion.


Michael Kelly
Extending A Saints Understanding, 2019
Mixed media with stained glass
48 x 36 x6 inches
Biography
Michael John Kelly was born in Utah, raised in Huntington Beach, probably die in LA.
Kyle Benjamin Jorgensen
Kyle Benjamin Jorgensen
Plume, 2020
Birch plywood, tissue boxes, worn fabric sleeve, poplar, lumber. 2020
6 x 18 x 48 inches
Artist Statement
This body of work incorporates tissue boxes as a unit of construction and a measure of bodily excess. Each series of tissue boxes (square and rectilinear) provides an interior structure for an exterior plywood facade. These envelopes are dictated by the ways in which the tissue box units are arranged. This playful system operates on rules of containment; the tissue box is completely contained within its shell, there’s an opening for tissues to be extracted and the units themselves are unable to be replaced if depleted. Once emptied of their contents these openings could become homes for birds.

Kyle Benjamin Jorgensen
Plume, 2020
Birch plywood, tissue boxes, worn fabric sleeve, poplar, lumber. 2020
6 x 18 x 48 inches
Biography
Kyle is a Los Angeles based, multidisciplinary artist. His work explores the boundaries between sculpture and architecture and often employs conceptual approaches using everyday objects.
Andrew Holmquist
Andrew Holmquist
Ü
Wood posts, spray paint, orange safety fence, blue painters tape
275 x 50 feet
Artist Statement
The open plot of land to the left of my apartment offered a huge opportunity to grab people’s attention with an installation. I wanted to create an image in the landscape that clicks into place as you pass by, designed for the drive-by experience, and reminiscent of the anamorphic perspective of corn rows locking into place as you pass by them in a car, a familiar wonder from my childhood in Minnesota. I wanted to use construction materials – wooden stakes, plastic orange safety fencing, neon spray paint, and painter’s tape – that are fitting for an empty plot waiting to be built, and might at first viewing seem like the outlines of a construction site rather than a work of art. A smiley face seemed like an appropriate image to reward the curious onlooker with as they encounter and unlock the work as they move around it – the work of art smiles back at you as you smile at it in recognition. In this sweet spot, forced perspective creates the illusion of an orange column leading from the sidewalk straight up to a fenced in plot of trees 300 feet above. The rising sun back-lights the installation, a glowing blue smile beams down. However, the smile could also be read as a Ü, a hanger-on from my recent relocation from Berlin. Its up to Ü to decide!

Andrew Holmquist
Ü
Wood posts, spray paint, orange safety fence, blue painters tape
275 x 50 feet
Biography
Andrew Holmquist (b.1985) is an artist based in Los Angeles. He received his BFA (2008) and MFA (2014) from the School of the Art Institute of Chicago. He was invited to participate in the 2016 Vancouver Arts Festival where his work was featured in the exhibition Drama Queer, examining the queer perspective in contemporary art. In 2017 his paintings were included in the exhibition “Eternal Youth” at the Museum of Contemporary Art Chicago, Curated by Manilow Senior Curator Omar Kholeif. His work is in the permanent collections of Rachofsky Collection at The Warehouse, Dallas, the Illinois State Museum, the Providence College Collection, the University of Illinois, the University of Chicago, the Joan Flasch Artist Book Collection, as well as the JPMorgan Chase Art Collection, The Progressive Art Collection, the BMO Harris Art Collection, and the First Midwest Bank Collection. He has had solo and group exhibitions in Chicago, Los Angeles, NYC, Philadelphia, Baltimore, Nashville, Vancouver, and Berlin.
Robert Gunderman
Robert Gunderman
Deaths to Date, 2020
Oil paint, wood
76 x 39 x 3 1/2 inches
Artist statement
This piece is part of a group of paintings that count the deaths (by date) caused by Covid-19 in the United States.


Robert Gunderman
Deaths to Date, 2020
Oil paint, wood
76 x 39 x 3 1/2 inches
Biography
Robert Gunderman was born in Los Angeles and currently lives and works in Ventura County. Recently his work was included in L.A. on Fire at Wilding Cran (curated by Michael Slenske), and this last year he’s had solo exhibitions at Left Field Gallery and AF Projects. His work has been written about in the LA Times, frieze, Riot Material, Art & Text and the LA Weekly.
